Work

Where movement becomes structure.
Rhythm informs form.

My practice, Movement as Method, uses sustained movement as a framework for drawing and painting. Running functions as a form of field research, generating the observations, rhythms and spatial relationships that underpin the work.

Rather than depicting landscape, I am interested in how moving through it produces structure. Repetition, duration, resistance and directional change are translated through drawing and painting, gradually distilled into abstract forms through reduction and material restraint.

Recent work explores two interconnected strands: Curvature, which investigates pressure, trajectory and spatial organisation, and Void as Structure, which considers enclosure, containment and the active role of absence. Together, they examine how embodied experience can be translated into form.

The work is concerned less with describing place than with understanding how place is experienced over time.

Selected works are available on request.

For exhibitions, collaborations or commissions, please enquire via email.